Still At It
Produced by Niige "Hitman For Hire" for ARS Productions, who does 3 tracks on this album and also did the title track on Bossman’s Law & Order. "Got fans in Japan mispronouncing my name", shouts his phone number on the track like Mike Jones.

BMore f/ Aswad
The hometown anthem that was also Ogun's track on The Movement #2.

Why I Write
One of the best tracks, produced by another Baltimore MC, Skarr Akbar, who does a lot of his own beats. They snuck a quick 16 bars by Ammo, the 15-year-old MC on ROP, over a different beat at the end of the track.

Come On Man?!
Beat by Stay Getting Productions (Cam'ron, Kay Slay, Tim Trees), another standout.

11/01/99
Kind of intense story about a family fight going too far and then the cops getting called on him, and getting thrown in a jail, then fighting in jail and getting thrown in a single cell. Then suddenly he starts shouting about God and the story kind of goes offtrack.

BMore (Remix) f/ Jitter B.U.G. & EJ
This was the big finale at the release party for the album. The fact that Jitter B.U.G. can make "Maryland" rhyme with "whirlwhind" is a pretty great example of a Baltimore accent.

A Ma! f/ Rochelle and Kendra
Sweet bluesy guitar sample with soft organ, song for his mom with his 2 sisters singing along. Reminds me a lot of Kanye's "Hey Mama", same subject matter, same vibe.

Labels: mixtape/album review, Ogun, Skarr Akbar, Stay Gettin'